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Dawn at Glaslyn, Snowdonia (revision2)
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Re: Dawn at Glaslyn, Snowdonia (revision2)
Hi Phil,
The revision works well, especially taking away the more laborious opening that was previously there. It's now more interesting, more dynamic. The last verse is a nice addition, too.
Trev
The revision works well, especially taking away the more laborious opening that was previously there. It's now more interesting, more dynamic. The last verse is a nice addition, too.
Trev
Re: Dawn at Glaslyn, Snowdonia (revision2)
Thanks for the thumbs up and revisiting Trev
cheers
Phil
cheers
Phil
Re: Dawn at Glaslyn, Snowdonia (revision2)
Phil. Well, the piece is better and streamlined with S1-3 more understandable for such as me now - but perhaps too still-life abstract for much natural traction. S4 however is perfectly real and engaging - I suddenly remembered creating food volcanoes out of Irish stew as a kid.
Re: Dawn at Glaslyn, Snowdonia (revision2)
Thanks Mark. Cultural contexts, and individual ones, can be issues for 'traction', but how far does the communication become a diluted compromise?
Phil
Phil
Re: Dawn at Glaslyn, Snowdonia (revision2)
Excellent point! We all understand our own poems perfectly well but when they become 'audience' poems, who is the audience? How sophisticated are they? Do we want universal understanding and if so, at what point does the art disappear and it becomes mere communication?
Orange blossomed over gray
The sun is rising
Same thing, differently purposed. I don't know the answer, it's way too subjective. We do the best we can to clarify beauty or horror or the mundane. Personally, I kind of think of Tracy as my standard universal reader in the back of mind when composing, we've been bouncing stuff around for nearly 10 years now. T has great insight but even so I often just get turnips back.
Orange blossomed over gray
The sun is rising
Same thing, differently purposed. I don't know the answer, it's way too subjective. We do the best we can to clarify beauty or horror or the mundane. Personally, I kind of think of Tracy as my standard universal reader in the back of mind when composing, we've been bouncing stuff around for nearly 10 years now. T has great insight but even so I often just get turnips back.
- Tracy Mitchell
- Posts: 3481
- Joined: Sun Jan 07, 2018 3:58 pm
Re: Dawn at Glaslyn, Snowdonia (revision2)
I don't know if I have this right, but looking at the evolution of the drafts, I think you have a strong notion of what the poem should be and are wrestling with breaking through to the right voice, the right POV. This happens to me so that's why I think I recognize it. No suggestions, but I was surprised with the delightful addition in the latest iteration of this endearing gem:
I am a little boy
again, a mountain maker
in steaming porridge.
Cheers.
T
I am a little boy
again, a mountain maker
in steaming porridge.
Cheers.
T
Re: Dawn at Glaslyn, Snowdonia (revision2)
Wise words T.
I'll have a think.
best
Phil
I'll have a think.
best
Phil
Re: Dawn at Glaslyn, Snowdonia (revision2)
Wonderful bones here, you'll make it whole with a few more tweaks.
A search for simplicity, to dismiss the bullshit and just appreciate.
Like this a lot.
A search for simplicity, to dismiss the bullshit and just appreciate.
Like this a lot.
Re: Dawn at Glaslyn, Snowdonia (revision2)
Thks Colm. I'm open to any suggestions!you'll make it whole with a few more tweaks.
cheers
Phil
Re: Dawn at Glaslyn, Snowdonia (revision2)
I like the word tarn and see no problem in it being there unless one imagines that 'torc' in the poem of that name is unfairly obscure. Lake is a blan word that can't come close to the feeling engendered by tarn with its specific hues and atmosphere. Just my take though. Obscure words are why I hate anything written by James Joyce.
Dave
Dave